![]() The earliest conceptions were about how to define the two separate worlds presented onscreen: that of “the Matrix,” the virtual reality humans experience as fed to their physical forms, which serve as energy sources for the machines, and that of a “real world” landscape that finds the Earth rendered a scorched husk littered with the accoutrements of a war the humans lost. His work played a key role in plunging audiences into the Wachowskis’ rabbit hole, a sci-fi vision of life as a simulation in a postapocalyptic, machine-controlled future. Here was a smart, sleek and above all fresh theatrical experience the likes of which audiences had never seen … or heard.Īmong the four Academy Awards the film claimed a full year later was an honor for supervising sound editor Dane A. When Lana and Lilly Wachowski’s The Matrix hit theaters in March 1999, it was a landmark moment for cinema at the beginning of what would come to be considered one of the great years for the form.
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